Dollhouse, exhibition Testimony, NMN, Nuremberg, 2024 // photo by Annette Kradisch

Dollhouse, 2020-2021

multimedia installation: series of drawings (paper,pencil/pen), sound, video, objects

Dollhouse reinterprets the artist’s experience of fifteen days in a Belarusian jail, detained for their participation in the 2020 protests following falsified elections. It reflects not only fear and frustration but also solidarity, care, and “quiet” tactics of resistance among women political prisoners. In overcrowded cells, fragility, imagination, sisterhood and mutual support became tools of survival. The installation combines drawings, video, and preserved artefacts, centred around a table and blankets, objects that structured daily prison life and symbolised both restriction and fragile protection.

Dollhouse, exhibition Testimony, NMN, Nuremberg, 2024 // photo by Annette Kradisch

Dollhouse, exhibition Testimony, NMN, Nuremberg, 2024 // photo courtesy of the artist

Dollhouse, exhibition Testimony, NMN, Nuremberg, 2024 // photo courtesy of the artist

Dollhouse, exhibition Every day, Mystetskyi Arsenal, Kyiv, 2021 // photo by Olexandr Popenko

Dollhouse, exhibition Every day, Mystetskyi Arsenal, Kyiv, 2021 // photo by Olexandr Popenko

A series of pen sketches illustrates attempts to organize leisure time in the cell. Another series features coloured pencil portraits of women, many of whom are drawn with flowing hair. Washing hair itself was an act of solidarity and resistance: with no access to showers, prisoners filled plastic bottles with cold water from the sink, warmed them against their bodies at night, and help each other’s with washing. The video performance We Washed Each Other’s Hair recreates this ritual, filmed later in Kyiv with the participation of Belarusian and Ukrainian women.

The installation also includes drawings made by women, and treasured artefacts: figurines from bread, playing cards drawn on paper, a collective calendar, a book with hidden messages, and more. Each object embodies a gesture of violation of prison regime, and thus an act of resistance. The artist’s own diary is displayed open at its final page with written future title — Dollhouse.

Dollhouse, exhibition Testimony, NMN, Nuremberg, 2024 // photo by Annette Kradisch

Dollhouse, exhibition Testimony, NMN, Nuremberg, 2024 // photo courtesy of the artist

Dollhouse, exhibition 5 drops that make the barrel overflow, ColeTaxiOkay, Karlsruhe, 2026 // photo courtesy of the artist

We washed each other’s hair and braided them.

We shared our personal stories and played fortune-telling.

We gave each other massages, impromptu beauty treatments and drew ballpoint pen tattoos.

We played simple games and made our own games out of paper.

We drew, sculpted and painted.

We kept diaries and sang songs.

We argued or flirted with the guards as if they were boys from another group or counsellors with different personalities.

As if we were playing out a children’s summer camp inside a prison.

We served our sentence in a ten-person cell, turning it into a dollhouse.